That time, I was not in Rome but in the upstairs bathroom of the big house in the suburbs of New York which Id recently purchased with my husband. There, I offer up to the universe a fervent prayer of thanks.Īnd then just to get the point across in Sanskrit.Īnd since I am already down there in supplication on the floor, let me hold that position as I reach back in time three years earlier to the moment when this entire story began a moment which also found me in this exact same posture: on my knees, on a floor, praying.Įverything else about the three-years-ago scene was different, though. Grasping this reality, I let go of my bag, drop to my knees and press my forehead against the floor. I am alone, I am all alone, I am completely alone. Another long nights sleep ahead of me, with nobody and nothing in my bed except a pile of Italian phrase books and dictionaries. I let myself into my tiny little studio, all alone. I walk up the stairs to my fourth-floor apartment, all alone. but its still such a wonderful possibility that he might actually do it right now. and of course it would be a terrible mistake. I mean were pressed up against each others bodies beneath this moonlight. On the other hand, he might just kiss me right now, tonight, right here by my door. I think if I were to stay in Italy for another three years, he might actually get up the juice to kiss me. This is an improvement for the first few weeks, he would only shake my hand.
#Eat pray love for free movie
She - and the movie - would have been better off letting the world speak for itself.Now it is midnight and foggy, and Giovanni is walking me home to my apartment through these back streets of Rome, which meander organically around the ancient buildings like bayou streams snaking around shadowy clumps of cypress groves. Much as Eat Pray Love is about letting go, Liz's habit of imposing pop-psychological significance on every encounter suggests she's still her controlling self. At her worst, she's like a narcissistic tour guide who invites sightseers to marvel at the spectacular vistas and cascading waters inside her own head. Trouble is, we're still stuck with Liz, who never passes up the chance to process her encounters into Oprah-fied nuggets of wisdom. In the film's travel-brochure paradise, they make for agreeable companions. She also encounters a few fascinating seekers in her travels, including a prickly old Texan (Richard Jenkins), whom she befriends at an Indian ashram and a Brazilian businessman in Indonesia, played by Javier Bardem at his most devastatingly suave. Well, as a sensual experience, Eat Pray Love falls squarely in the tradition of other femme-centered cinematic staycations, like Enchanted April or Under the Tuscan Sun, and certainly it's transporting to watch Roberts consume pizza in Naples or drift along crystalline currents off the coast of Bali. Love, Indonesian Style: While trying to recover after a messy divorce, Liz (Julia Roberts) meets Felipe (Javier Bardem), a Brazilian architect, in Bali. That's the essence of a true vacation, and she has to work hard for it. As played by a sun-kissed Julia Roberts, Liz has undertaken this adventure partly to open up to new experiences and loosen the vise-grip she's previously maintained over every aspect of her life, and the little tension that surfaces in her journey is owed to the push and pull between her itinerary - as defined by the book pitch (and advance money) that made it all possible - and her desire to feel truly unmoored and liberated. Though Eat Pray Love never loses the sour whiff of unexamined first-world privilege, its heroine does at least immerse herself in different cultures rather than expecting them to adapt to her.
Therein lies the premise and the problem with Eat, Pray, Love, at least in its frustrating (and comma-free) screen incarnation: The world exists as a kind of sprawling, full-service spa treatment for the soul, neatly compartmentalized to nourish the senses, the spirit and the heart. "I wanted to explore the art of pleasure in Italy, the art of devotion in India, and in Indonesia, the art of balancing the two." "I wanted to explore one aspect of myself set against the backdrop of each country, in a place that has traditionally done that one thing very well," writes Elizabeth Gilbert in her popular memoir Eat, Pray, Love.
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